Yeah, it’s not like that.

Good idea. Lousy execution. I may watch a couple more episodes, but I am not impressed. They’re repeating it tonight if you missed it.

The Good Wife: Julianna Margulies, Christine Baranski, Josh Charles, and the obnoxious kid from Gilmore Girls playing an obnoxious kid on this show—what’s not to like? Actually, this was a very good pilot. Sure, it’s a lawyer show, but it’s a very different twist. This is a woman re-entering the workforce because her husband is in jail on corruption charges, struggling for her job against a kid fresh out of law school and ready to cutthroat his way to the top. And it’s from Ridley Scott! No wonder it’s so good.

Modern Family: The critics are hailing it as the best new comedy of the year. I watched it. Eh. Watched it some more. Okay, that was funny. Watched to the end. Yeah, it’s funny. I think I’ll keep watching.

Cougar Town: Eh. I laughed a bit. It might get funnier. Boy, you can’t watch this show with young kids around, though. When did primetime TV get so adult at 8 p.m.?

And this is the difference between me, and a Judith Warner from the NY Times. I watched the show in the hopes of finding a comedy that would make me laugh. Here’s why she watched it:

I’d watched “Cougar Town” on Wednesday night not because I thought I would like it, not because I was genuinely interested in seeing it, but because I thought I, too, would be able to derive messages from it about the zeitgeist — the pop-culture zeitgeist now permeated with talk of cougars, women over 40 who take up with younger men.

Darn it! I’m just not up on the current pop-culture zeitgeist! How is it that I was cool when I was young, and now I’m so unhip as to be unable to keep up with the New York City zeitgeist-seeking crowd?

Then again, I’ve lived in the ‘burbs most of my life. Uncool. Uncool. (And they wonder why we call them “the media elite.”)

Vampire Diaries: Okay, I admit it. I was bored. It was on. I watched it twice. I did not watch the third episode. Seen all I needed to see to know that it’s basically another vampire romance teen saga, and, well, ew. Vampires must be staked. No exceptions. Wait. Angel. He’s the only exception, because he has a soul. Everyone else (including Spike), boom.

Castle: Yay, it’s back, and it’s still good. It’s the only crime show I’m interested in, and that’s because they don’t generally cut up bodies and try to figure out how they died.

Looking forward to: V. The new series looks excellent. Dollhouse: Premiere tonight. My DVR’s been set since last season ended. Which is a good thing, because it’s on while I’m in synagogue. Bummer that Terminator didn’t make it.

Borrowing television formats isn’t new; some of our most successful franchises—”American Idol,” “Survivor,” “The Office,” to name three—started in Europe. But with two shows hitting TV this year and another two in development, it’s Israel that is fast becoming Hollywood’s cheat sheet. “B’Tipul,” a drama about a therapist and his demanding clientele, was adapted into HBO’s critically acclaimed series “In Treatment.” Premiering this fall on CBS is “The Ex List,” which was adapted from the Israeli series “Mythological X.” “List” is a romantic comedy about a woman who learns from a psychic that she has already dated—and broken up with—her soulmate, and if she can’t narrow him down from her lengthy roster of suitors, she’ll spend life as a spinster. It’s no wonder Israel is such a close friend of the United States. To judge from their television shows, the Israelis are just as neurotic as we are.

And what about “All in the Family?” It’s interesting that Israeli television has progressed to the point where American television seeks to emulate it.

Daled Amos points out that there are another couple of concepts in the pipeline too. (Also from the Newsweek article.)

Also forthcoming are adaptations of “Merhak Negia” (”A Touch Away”), a story of forbidden love between an Orthodox Jewish woman and a Russian immigrant, and “Loaded,” an “Entourage”-like comedy about a quartet of dotcom millionaires. And as long as Israeli television shows combine high quality with low price tags, it doesn’t take a psychic to predict that more television executives will be making pilgrimages to the Holy Land.

Interesting about those dotcom millionaires. I guess that show doesn’t have as much to do with neurosis as American admiration for Israeli tech know-how.

Anthony, the managing partner of New York-based venture-capital fund 21 Ventures, told a Montreal audience that Israel is “the single best place in the world to invest in technology ventures.”

Anthony was the guest speaker at the inaugural Albert Einstein Business Forum, co-sponsored by the Canadian Friends of the Hebrew University of Jerusalem and the Government of Israel’s Economic Mission to Canada. The guests came largely from Montreal’s financial and investment sector.

He founded 21 Ventures four years ago when even high risk-tolerant investors were shying away from Israel after the tech bubble burst and the intifadah was still being waged.

He has investments now in 20 seed and early-stage technology companies in Israel and the United States, mainly in the physical security, clean energy and mobile software fields, and is actively seeking more.

(h/t NY Nana at LGF links)

Crossposted at Soccer Dad.

I was about to give up on Lost at the end of last year. It really came back strong in the third season. I’m looking forward to the fourth.

Maybe I’ll get to do an episode summary this weekend. That was a lot of episode to summarize, some good, some bad, some “I knew it!” moments, some “Huh?” moments. And one big giant “Awwwwwwww.” So yay for that, at least.